Shuffle the pack

Week 21 - 272 days to opening night

I'm moving in 3 days, so I've done pretty much nuffin' this week. Nuffin' y'hear except scrub and box and stuff and pack and clean (**fades off into distance**)....

(**sound off footsteps coming back**) Having said that I've done a tiny bit on updating sets (above) but not much. Anyway back to the packing and cleaning and boxing (**fades off into distance**)....

Neil 

Mwah-ha-ha-ha haaaaaaa!

Week 21 - 282 days to opening night

No, no, I have been working on M&M, I promise. I swear. You don't believe me do you. Aw, come on ba-by, don't be like that. I've not been looking at other blogs, I promise.....we'll maybe one, but I was thinking about you the whole time, I promise.

It's all been papery stuff this week - getting timings for the overture so that it all syncs together, starting to create some of the graphics for the animation (the evil moustached baddie above, for one) working out using suitcases to build cars, looking through youtube for some inspiration, building some elements for the dockside scene, and then researching white star liners graphics (them of Titanic fame), but nothing really interesting to report.

Oh nearly forgot - and we've updated facebook, and created a new fan page because it allows a bit more control over the information and how it's seen. So there's plenty of previous production shots, and forthcoming stuff on there now:

Click here for the Highcliffe Charity Players Facebook Page (Do, do, do join, I beseech you)

John Gayler returns to these shores this week after an 8 year absence - I'll give him a couple of weeks to settle back in before I pounce on him (not literally that would only end up with a court order ) and show him the full horror of what I have planned for the set.....mwah-ha-ha-haaaaa indeed...

Neil 

Return of the intertitles

Week 19 - 291 days to opening night

Intertitles. And, yes, they're supposed to be slightly blurred.

Neil 

Moving story

Week 22 - 293 days to opening night

I'm moving. So I'm packing. And dumping. And sorting. And tipping. Plus we've been sorting stuff for the Xmas show, so it's been a bit of a light week on the ol' Mack & Mabel front. But I have been building set models, and overture models, and a couple of other bits'n'bobs, so it's not been a complete washout.

And talking of 'building' (Oh Neil, nii-ice segueway into the next topic) we seem to be building a bit of interest now inside and outside the group which is good, the more people want to be part of it the better the production - plus there are only 3 or 4 big productions going on in the area next year - particularly as it seems that Theatre2000 have pulled out from doing 'Beauty and the Beast' (and I don't blame them - you'd need some serious money to put that show on).

Had a bit of a brainwave about the ending of the show this week - it ends on a real low, which can work in a lot of cases, but the script in this case is very clunky at the end, so it needs a bit of work to make the whole thing flow to a natural conclusion - and I think I've sorted it - but it does mean a lot of work for me to do first. Plus we're not just leaving it on that low as we'll have a reprise of the overture which will include some vigorous dance and the curtain calls built in.

Anyway, gotta get back to putting my life into cardboard boxes.

Neil

Just who do you think you are?

Week 22 - 297 days to opening night

How the 'ell have we got less than 300 days to go, huh? I said huh? Was out last night with a few HCPers for Louise King's 40th, and as a couple of the pictures feature those involved in producing the next 3 HCP shows (Xmas Revue, Panto and M&M) I thought it might be nice to stick a few faces to names. That's us. Slightly drunk.

Obviously the drink flowed and we talked around all the productions, but one titbit that came up last night was about the music for M&M, which if confirmed will be brilliant news. Am emotionally erect at the thought. Will keep you posted obviously. Loo kept asking (seriously about 30 times, Loo, how many times do I need to tell you) if when auditioning for a main part do you have to sing a song from the show, or can it be anything? And the simple answer is: anything (but it's probably best to keep it in keeping with the show - something by Iron Maiden isn't going to get you too far). It is nice though to see people getting excited about a show we won't be auditioning for for another 6 months...

Plus Ro Copson, the lovely Ro, has been given me plenty food for thought (thanks Ro! keep it comin' - am looking at options as we speak).

Neil 

Why so serious...?

Week 21 - 302 days to opening night

Starting to think about the proper publicity for the show, all the teasers are done and ready, which takes us up to the Panto, and then after the panto it's the full marketing stuff. At the moment none of the teasers give the actual dates - they just say July 2010, which is right this far away from the show - pique interest, that's all they need to do. Am trying to decide at the moment wether to market the show as fairly serious - as it does deal with some serious themes (alcohol and drug addiction) as well as comedy, or do I stay quite flippant. Ah'm thinkin, flippant at the moment, but you never know I might find a happy medium.

I'm moving at the end of October, so I'm trying to get as much done now before my life gets stored all away in boxes. How did I accumulate so much crap over the years? I surely don't need 3 boxes full of 'Happy As A Sandbag' posters, do I? Answers on a postcard please...(first prize is a box of posters). Probably won't order as many posters for M&M...

Neil 

Double or quits...

Week 21 - 304 days to opening night

Xmas show auditions today, which went very well. Good singers for the singing bits and good actors for the acting bits. Should be very good. Chatted with Georgina about choreography very briefly as well for M&M.

Interesting conversation, also, about people rehearsing two shows at once, provided rehearsal nights are on different nights. BBLOC are doing 'The Producers' next summer - big theatre, and a very good professional director - and several members of HCP are involved/auditioning, and as their rehearsal nights are Mons and Weds and ours are Tues and Thurs it's physically possible for someone to be in both - which I'm happy about, and it's fine by me provided they understand that they will be out 4 nights a week (knackered or what), and that they just let me know which rehearsals they can't do (as BBLOC work in week chunks from time to time) so I can work around it. It is an excellent show, so I'm certainly not going to stop anyone being involved. Unfortunately it seems that BBLOC won't let people be in two shows at once - even if it doesn't affect rehearsals - which is a shame as it means it'll force people into having to choose between the shows. Ah well. We'll see what happens come November. 'C'est la vie' as they say somewhere french speaking.

I was very surprised today to hear how many people read this drivel, by the way. What really? Pete has promised that he'll do bits for it, as it is just a bit of a vanity project at the mo. Otherwise it's just me, me, me. And that just gets boring. 

Neil 

My two left foots...

Week 20 - 305 days to opening night

Tap, Tap tappity tap, step ball change, tap, tap, tappity, tappity, tappity tap. Tap. Tap. Tappity tap.

**singing**  If a sky full of crap always lands in your lap make a curtsey and tap your troubles awwwwaaaaaay.**

So says Jerry Herman's lyrics - but I'm assuming he'd want you to change first, y'know, if your lap was covered in crap - tapping would just spread it everywhere. (very strange lyrics if taken literally...)

Did a quick graphic for something today (above) and been blocking a bit of the 2nd half today, mainly towards the end as that isn't too complicated - but it does involve the BIG tap number but luckily that's Georgina's nightmare not mine. Any choreography I did would just involve a lot of shuffling and bumping into one and other. I did try tap dancing once, but kept falling into the sink (**ba boom tish** I thang yew. That joke will now be retiring due to old age). Anyone who knows me knows I can't dance - I'd like to put it down to the fact that I'm male and straight...the 'good-at-dancing' gene completely bypassed me at birth unfortunately (...in my head I dance like Gene Kelly, though). 

HCP Xmas show auditions are tomorrow, so it'll be a good way for me to size up the potential cast for Mack and Mabel. Whilst it's not an enormous cast, it's going to need quite a few chorus members (both male and female) to pull it off. Not sure how many will turn up as it's being rehearsed at the same time as the Panto and I'm not sure many people will want to be in both. Still, we'll see...

Anyhoo, back to my tap dancing....a one, anna two, anna three, anna four...

Tap, Tap tappity tap, step ball change, tap, tap, tappity, tappity, tappity tap. **fades into distance**

Neil 

Ahhhhhhhhh-fter Effects. Was it good for you too?

Week 20 - 306 days to opening night

I'm a geek. No, hush now, I am. I've said it before and I'll say it again. Geek. Geek. Geek. But this is a seriously geeky posting....

.....alright, but you've been warned.

To achieve what I want with the animations etc I've been needing some new software to help with it, and its call 'After Effects' (**sound of angels singing**). And a few weeks ago I got a copy of After Effects (**sound of angels singing**), and today I opened it up in anger for the first time to do a couple of tests, and by golly, After Effects (**sound of angels singing**) does exactly what it says on the tin. It's the missing link between all the other software I have and use at work and at home, so I've had a stab at a little teaser for Mack & Mabel using After Effects (**sound of angels singing**) which is my back up for projecting during the Panto if my plans for a proper animated advert doesn't come off. And it's aint looking too shabby to be honest - it, that is to say, After Effects (**sound of angels singing**) will be invaluable for the overture. 

Click here for the HCP's Mack & Mabel Teaser 

So thank you After Effects (**sound of angels singing**) - if you were a women I would have booked a double room in a swanky hotel and ordered something from the room menu by now....

Plus Eliot (Lighting) has emailled me today to say he has some new toys at the Regent Theatre  that I might want to have a play with. 'Emotionally erect' is phrase that seems to sum it all up.

Weird, moi?

Neil 

Oh Ffffff...iddlesticks

Week 20 - 309 days to opening night

Ooops. Zut alors and merde. Made un petite cock-up this week and double booked myself. (Gosh darn it, Neil. How. Are. You. Sooo. Popular? (**whisper** no, not really...**slightly lower and more pathetic whisper** please, please be my friend...I have money)).

We were going to have the 'Evening of Interest' on Wednesday - and still are, Jen and Simon will still do their thang, but unfortunately it's fallen on the same night as Brownsea Open Air Theatre presentation evening whereby donations from 'Hamlet' are officially given to the National Trust. And as I was the **cough** lead role **cough** I think it'd be really bad if I wasn't there - so I've done a powerpoint for the HCP evening with some basics about M&M, but there's been problems with getting Powerpoint working on a laptop - so I've done a pdf that people can look through during the evening (on Pete's laptop) if they are so inclined.

Pdf is available if you click here (3.3Mb)

On another related but unrelated note, Pete had his auditions yesterday for the Pantomime and he says it went well, so full steam ahead on that front. Man's got his work cut out for him as I believe they start rehearsals tonight....

Neil

The whole thing's rigged...

Week 19 - 312 days to opening night

On-stage scene docs, visible lighting rigs and usable crates should make the staging of this show fairly easy. Now to just make the stuff...

Neil 

Moving Titles

Week 19 - 313 days to opening night

Quick movie test. Quality's a bit crappy though which is a shame as it looks very crisp on my desktop...

Neil

It's a fair cop....

Week 19 - 316 days to opening night

I've officially started blocking today.  Yeah, I think that deserves an emboldened typeface for emphasis. It's months earlier than I normally do it, but I've decided to try doing this show in a different way to the others, and getting the basic blocking done will help me see if what I want to do is possible. Watched a bit of Singing in The Rain (cos it's set during this period) to see how the film equipment, in particular the mics were set up for a shoot - and very useful it was too... in fact I've found the exact bit on Youtube as well:

Singing In The Rain - shooting  the Dualling Cavelier Scene

I've also been building the 3d model for the Keystone Cop (above) to be used in the overture, I haven't got very far but it's a start. I've nicked-named him 'Bernie', don't know why ( I do know a Bernie, but it's not because of him) - but 'Bernie' it is for the time being.

The big news of the week is a backstage thing - constantly during pre-productions of recent shows I wished I had someone like John Gayler around - a man who loved the theatre and was a bit of a pro carpenter and a dab hand in building sets. Plus a thoroughly decent chap, and more importantly a mate. Unfortunately he went to live in Spain about 7/8 years ago, but only this week he's got in contact that he's coming back to Blighty and "did I need a had backstage with any shows I was doing". I could have kissed him - in a very platonic way obviously - and I emailled back saying yes, yes, oh bloody hell yes. I haven't spoken to him about M&M, (thought I'd make sure he's back in the country and can't escape) but any help he can bring to the show would be excellent...

So revolving stage, here I come. No, not really. (**whispers** revolving stage you will be mine, oh yes...). 

Neil 

Balls to Christmas

Week 18 - 3 hundred and something days to opening night

Haven't had a chance to do much M&M because of work, but I've quickly built a template for the HCP Xmas show poster that I can easily change once Simon and Jen have decided what they want to call it, and finalised ticket details etc. The xmas show is a fundraiser for Mack and Mabel so it pays to advertise it and sell out.

I should get a chance to get back onto M&M next week - particularly as we have this 'Evening of Interest' coming up in which I'll show a few bits of stuff to the group...

Pete's auditioning for his Panto next week, so there's plenty for everyone to get involved with....

Anyway, with a fah lah lah lah laaaah, le lah lah laaaaaaah...

Neil 

Shape of things to come

Week 18 - 323 days to opening night

A coupla new images. This is officially my shortest blog posting. 

Eleven words. 

Oh, no that's two more. Thirteen. Ah, Nineteen. Twenty-on...

...aw, buggerit.

Neil 

Ding Dong!

Week 17 - 112 days to Xmas

Only 16 weeks til xmas, dontcha know. Had the Xmas show meeting last night which was all very positive - Simon and Jen are in charge and they seem to have it all well in hand. I'll watch over Simon and Georgina will watch over Jen, but only in a advisor and helping way - it's their baby. It'll be an evening of carols, a one act play and then some individual songs. There's going to be a lot on for HCP in the coming months with the Panto rehearsing at the same time.

The one M&M tit-bit to come out of the evening - apart from it being a fundraiser for the Summer show - is that we will be doing an 'evening of interest' on September the twenty-mumble (I forget - wrote it down on a bit of paper that's now at home) which will be Jen and Simon explaining about what they want for the xmas show, then a bit of a readthrough of the one act and then I'll give a quick presentation of what where I'm going with Mack and Mabel, initial ideas and thoughts etc basically I'll just use some of the visuals from this blog, and some clips etc just to get people interested in the show itself...

Xmas show will be on the 19th/20th December - should be fun...

Neil

Thinking inside the box

Week 17 - 329 days to opening night

Yeah, usable crates might just work, y'know. 

Been looking into cost and it's probably a bit out of budget but I've got feelers out seeing if we can blag any. If anyone does know of any going free/cheap let me know.

Also looking into building fake film projectors/cameras versus hiring as we'll need some for that old chestnut we all like to call 'period correct' - the projector above, for the start of 'Look what happened to Mabel',  isn't 'period correct' but I thought 'ah sod it', no-one will know unless I point it out...which I just have. Dammit, Mathieson, you and your chubby typing fingers...

Neil 

Crate Expectations

Week 16 - 333 days to opening night

So what do you do if you have no wing space. None. Zilch. De Nada. And you need wing space to store props/scenery? Weelllll my friends, one option is to store the stuff on stage in plain sight and make it part of the show. Yeah, on stage - in front of everyone. I'm thinking through the option of  having crates on stage through out the production - which can store props etc in and become chairs or tables when needs be. The only problem is that they do have to be off stage when the big dance numbers are doing their thang. Hmmm. Will have to think about it. There's definitely an answer in there somewhere...

Also been looking at sorting myself out for next year as well - March onwards is pretty much blocked out for rehearsals, but its working out how much work I have to do this side of xmas, and keep my work-life-production balance in check. I think it's looking possible without pissing off any loved ones/friends/bosses and keeping my full time job at the same time. We'll see. Xmas is looking busy workwise, and we're also putting a on fundraiser show for Mack and Mabel which I've agreed to co-direct/assist Simon Leaton (HCP Member and M&M blog follower) in putting on a one act during the evening, the second half of the evening is choral stuff, I believe - don't know much at the moment as we have our first production meeting on the 3rd Sept (exactly a year on from Happy As A Sandbag ironically).

Must learn to say 'no' in my next life.... 

Neil 

St-st-st-studio

Week 16 - 336 days to opening night

The show spends a lot of time in the Sennett studio, so I thought it might be worth looking at a back drop/set for that this evening. It may be a physical set, it may be a projection, who knows (I sure as hell don't). Not much else to report as there's too much else going on in lots of other non-M&M related areas. 

Ah'm as busy as a busy, busy bee 'an no mistake.

Neil 

...ertaeht eht ot kcaB

Week 16 - 339 days to opening night

Four months gone this week. Eleven to go.

This is the back/derriere of the Regent Theatre, and the Foyer for the uninitiated...

Neil 

Advertising by stealth.

Week 15 - 343 days to opening night

Today was our first appearance in the local am-dram magazine 'Scene One' - albeit in a stealth-like way. The article is about HCPs donations to charity and in particular one member Malcolm who donated one of his kidneys to his then 4 week old son (the man is one amazing, selfless human being) and HCP have given some money so that Archie (his little one) can attend a special games event for all organ donors.

The picture accompanying the article is of Georgina giving Malcolm the cheque from HCP, and they're in front of the M&M banner we did for the Summer show.

I (**you will buy tickets for M&M**) don't think (**you will buy tickets for M&M**) there's anything (**you will buy tickets for M&M**) wrong with (**you will buy tickets for M&M**) subliminal (**you will buy tickets for M&M**) advertising.

Neil (**you will buy tickets for M&M**)

I'm stuffed....

Week 15 - 344 days to opening night

More graphicky stuff. No explanation required, reeelly. Just, y'know 'stuff'.

Rhymes with 'fluff'.

Neil

Something old and something I can't tell you about...

Week 15 - 344 days to opening night

It’s been an evening of doing Mack and Mabel stuff...but I can’t tell you what it was. I could, but I’d have to kill you. (Note to self: when threatening someone with death DON’T write it on the internet where it can used in the subsequent trial as evidence. Naughty Neil. Naughty.)

Anyways it’s been very productive...but I can’t tell you how productive. I could, but I’d have to kill you....you get the picture. Need to keep a few things under wraps for the show. But what I did find was my old Mack and Mabel stuff from Autumn 2004 when I made a 'false start' on the show - so it just shows 5 years ago I was looking at having an animation over the overture. Can't remember why I stopped work on the show - I think it was to work on Smokey Joes Cafe. But anyhoo, 5 years later it's happening....

Neil

Just write right is left, right?

Week 15 - 345 days to opening night

I've been threatening it for a while and here it is: stage directions for the uninitiated. Long story short - the stage is sectioned off into 9 (sometimes 15) areas which allows the director to tell an actor where to move roughly (a bit like chess, only with more Queens). All moves are from the audiences POV - so to the actor right is left and left is right - confused?

Upstage is moving away from the audience, towards the back of the stage. 

Downstage is moving towards the audience, towards the front of the stage.  

Stage Right is moving towards the Left (as the audience will see the actor moving right - they are viewing you from the opposite direction)  

Stage Left is moving towards the Right.  

Cross is crossing the stage to a predetermined position. 

An example in a prompt book might look like: "X (cross) DSL to DSC (down stage centre), X US (upstage), and out (exit) SR (stage right). 

There. Piece of cake. Next week I'll be explaining blackholes, and how to bend the space time continuum for financial gain.

Neil

Ice to see you, to see you ice...

Week 14 - 347 days to opening night

Another peripheral idea - Old tyme cinema usherettes in the auditorium during the interval selling ice creams/nuts and programmes pre-show etc. S'gotta be done, hasn't it.

However, I don't think our usherettes uniforms should be quite as tight as the breast-fixated illustrator has done for the image above...mind you if it gets more tickets sold...

Neil

Oh for Pete's sake....

Week 14 - 347 days to opening night

Unrelated but related news this morning to the production - if that makes sense - with the announcement that Pete Whitaker (Our production manager extraordinare) is directing the HCP Pantomime in January 2010. In a completely impartial way I think it's a perfect choice - I have no idea who else was up for it to be honest - but Pete's always proved himself incredibly organised on the production side of things and good at coming up with staging ideas when he's acting.

I don't think most people in HCP realise quite how much Pete does in the background to be honest. There's always a core in any am-dram group of a few people who do most/all of the work, and right in the centre of that group is Pete working away for little or no thanks - and he doesn't go looking for it either. So it's great that he'll be able to do something that is completely his and get the recognition for it. Hurrah for Pedro.

Feely rather paternal and proud for him.

But...having said all that he ain't got friggin clue what nightmare of biblical proportions is about to descend on him. F**kin' idiot. That's a joke Pete, a joke. (**whispers** no it isn't)

Neil

Stand and deliver....

Week 14 - 349 days to opening night

You may have blinked and missed it, but the sun was out today. No, seriously it was. That fleeting strange ball of fire in the sky was the sun. Ask your grandparents if you don't believe me, they'll remember what it looks like. It's gone now, obviously, but reminded me that I needed to sort out something for the various outdoor publicity pushes we'll do next Summer. 

For 'Happy As A Sandbag' (2008) the cast went around with Swing Unlimited Big Band to large events (like Highcliffe Castle, for example) and sang to publicise the show - we had a stand with us for those events. And likewise I expect we'll be out again next spring/summer at certain events publicising the show. Hence the need for an outdoor stand.

So next year we'll be out in force, on some village green, at a carnival, in some field - but then we always were 'outstanding in our field'. Ba boom tish, I thang you. No, you stop it. No, you. (...You've no idea how hard it was to crowbar that  joke into this posting)

Neil

Poster-ity from the 1910/1920s

Week 14 - 351 days to opening night

Mack Sennett posters from the time frame of the musical including 'Molly O' which is part of the plot. Thinkin' I might do pastiches of these for hanging in the foyer during the 2010 panto. Be a lot of work to get right though...

Neil

This is just the pits....

Week 14 - 352 days to opening night

Hamlet's done. Dusted. Finished. The rest is silence (that's your actual quote right there, yessiree).

So work on Mack and Mabel officially starts this week. And just in case I talk luvvy/techie gibberish for the next few weeks we'll start with the very basics of the Regent stage, then we'll move on to specifics and finally technical bits. So here's a pretty picture showing you where the very basics of the stage are - so when I burble on about the Cyc cloth, it's the big white cloth at the back, or mention the pit - it's the bit in front of the stage where the orchestra lives. Etcetera, etcetera....

Yes, contain yourself. It is pant-wettingly exciting, isn't it. Next up is explaining upstage, downstage, stage left, the meaning of life and the offside rule...

Neil

Unexpected guests....

Week 13 - 356 days to opening night

Oh sh*t. Pete Whitiker's just sent out an email about this blog. Oooo, better tidy up the place if we're expecting some cyber guests. **sound of cyber-vacuuming** Plump a few virtual cushions. Set out the cyber-nibbles. Tum te tum.  There. 

Just turn down the virtual lighting, put a little mood music on...

**sound of Sade's Smooth Operator**

**ding dong**

Ah, wilkommen, bienvenue and welcome to our little blog-ette. DO come in. Yes, this rain is awful, isn't it. Hors D'oeuvre?

Neil

Back on the dating scene...

Week 13 - 356 days to opening night

Starting to work on a very basic schedule now - the boring drudgery of working out rehearsal dates, audition dates, and the rehearsal schedule (what to rehearse on each night and in what room)...

HCP is gearing up for the Panto now which takes place in January. So M&M auditions will probably be the end of Feb/early March to give people a bit of a rest before we launch into rehearsals in March. Usually we have a 3 or 3 1/2 month rehearsal period, but with this one we're probably going to give ourselves an extra month as some bits will be quite complicated. So about 4 1/2 months, twice a week. Even that is nothing compared to some other groups - one local group has a 7 month rehearsal period.

The rehearsal schedule is usually quite complicated trying to accommodate holidays etc and I've always rehearsed shows using 2 or 3 rooms simultaneously - in one room George will be teaching a dance, in another the MD will be doing harmonies, and in the final room I'm taking people for the acting - bit of a logistical nightmare to sort out, but once it's up and running it really helps. If you think about it - in one evening using 3 rooms you've tripled your rehearsal time. So a 3 month rehearsal period using this month becomes more like 6 months (factoring in that you can't always make the 3 room system work and for the last month/6weeks everyone is together running the show). The downside is you have to constantly run between three rooms all evening...

So basically my eyes are glazing over looking at dates and calendars. I'd rather grate my testicles off than work this all out, but hey once it's done it's done. Scheduling is right up there with Radio Mic rotas for fun things to do (that's sarcasm by the way just in case you hadn't twigged :) ).

Neil

Zzzzzzzzzzz

Week 13 - 358 days to opening night

Too. Tired. To. Wri....

Neil

The rest is silence, Horatio...

Week 13 - 359 days to opening night

God I'm knackered. 1 more week of Hamlet and it's all over. I've really enjoyed it - how many people get the opportunity to play the lead in Hamlet - but I'll be so glad when the last show rolls round on Friday. I'm battered and bruised to buggery I can tell you...

All this means that I start on Mack and Mabel officially next week - all the prelim work is done and now it's doing the fun bit putting the show together, and being a bit creative with the staging. Usually I hold back on shows, particularly on the more outlandish ideas, because I think that we realistically can't do it - some get through like a man dropping from the grid and parachuting onto the stage - but in the main 90% gets put aside. Not in this show though - I've decided 'f*ck it, lets just be as creative as we can' and it's the right show for it. 

Anyway all this meandering is getting to the point that I found an excellent 'clever staging' show that is in keeping with where I'm heading - 'The 39 steps' a comedy version based on the movie - looks brilliant. Might just rip off the whole thing.....;). Sorry, I didn't mean 'rip off' I meant 'emulate' if any lawyers are reading....

http://www.youtube.com/watch?v=IJhOL0_mbCQ

Neil

Orchid Rooms

Week 12 - 361 days to opening night

A few hours to myself today - which is a miracle at the mo - and did I use it wisely? No. Worked on M&M and the Orchid Room Scene. I'm trying to use props and scenery in different formats in different scenes. Not sure if it's working....

Neil

This town aint big enough for the both of us...

Week 12 - 362 days to opening night

Another bit of good news today - we'd heard a couple of months ago from our ties in another group in Southampton that they were looking at doing Mack & Mabel as well next year - in March 2010 - which while not in our catchment area and three months before ours was a bit of a shame as it's always nice to do something no-one else has done for a while, and then to have two Mack & Mabels within 30 miles of each other was just bad luck.

But we've had word today that the Southampton group aren't doing M&M anymore. Phew. But on the downside there was the opportunity to share costs of props etc Every silver lining has a cloud...

I'd like to think that they had heard we were doing it and are running scared... ;) Yes, that'll be it - they were just too much in awe of our awesomeness-ness-ness. Sssh. Ssssh do you hear that? Yes. Yes it's the sound of my head disappearing up my own arse and...muffle...muffle...muffle..

Neil

And Walker said 'Let there be light' and there was and it was cooool...

Week 12 - 363 days to opening night

Excellent news today - Eliot Walker has agreed to light M&M and to ASM. I don't think it's any secret that I think Eliot is a lighting God so it's brilliant to have him on board (and especially as I know he reads all this crap). And it's doubly so because we both like to geek out over the same technical stuff (hurrah - a kindred spirit). Lighting is a much overlooked in the am-dram world so it's a privilege to have him around on this one - I'm very keen to push the lighting for the production so thankfully we've the right man in place. 

**Phew** Another of my 'must-find-excellent-people-to-help-with-the-show' boxes ticked off.

I'm sure this all comes across as a bit sycophantic, but hey, I don't give a rats arse...

Neil

Skatin' on thin ice

Week 12 - 364 days to opening night

That music sounds familiar. Where've I heard that before?

Some people know 'Mack and Mabel' music for one reason, and one reason only - Torville and Dean. They won the olympics in the 1980s for ice skating using the overture as their music. If you haven't got a clue what I mean then follow the link:

http://www.youtube.com/watch?v=iQ0DERFHEIU&feature=related

Neil